We have various world views, but in this context, we will be talking about two, which affect this play. These are the African World view and the Grecian (Greek) World View. The African World View states that man is shown two paths: the path to prosperity, and the path to destruction. Albeit to say: Good and Bad. However, when man in his recalcitrance, chose the bad path, the gods do not punish him immediately. Rather, he has a choice.
- To perform the necessary purificatory rituals and sacrifices in order to wash him clean and absolve him of his sins or;
- To face the consequences.
Note here that, in considering the African World View, man is not punished immediately. It was Leopold Sedar Senghor who said that: “The greatest evil is to steal the sweetness of breath.” In Zulu Sofola’s “King Emene,” we see how the queen kills the son of the King’s first wife in order to make her son king. The gods are aware of this atrocity, yet, the African world view stands its ground firmly, whether the greatest evil has been committed or not. Here, the King is informed by the gods that, before entering into the peace week in order to usher in the New Year, certain sacrifices and rituals have to be performed. The King ignores this even after the Olinzele family members try to warn him of the consequences as well as the Omu. The message is even repeated through the new Omu which he appointed himself in the person of Nwani. At the end, he is doomed because he failed to heed to the warning from the gods. In The Gods Are Not To Blame, Odewale is faced with a predicament because he killed his father and married his mother. But the truth is that, the playwright did not in any way bring in the African world view. The reason is not far-fetched. This happened as a result of the fact that, he borrowed copiously from the Greek Play “Oedipus the King” by Sophocles. And in so doing, he borrowed the Grecian world view with it. Let us now look at how the Grecian world view stands in contrast to the African World View. The Grecian World View states that man’s fate lies with the gods. His destiny is woven by them (the gods) and they (men) do not have any duty in the carving of such a destiny. Like a blind bat, they are dragged to fulfill their destiny, whether it be one filled with doom or otherwise. In King Oedipus, he fulfills such a destiny, not out of his own volition, but out of an inert and unknown compulsion already placed by the Greek gods. However, this ought not to be the case with Odewale. He ought to have been told by say Baba Ifa, the mouth-piece of the gods, that there was a remedy to the precarious situation facing them and such a remedy was that he should perform the necessary purificatory rituals in order to be absolved. We are already aware that Odewale’s flaw is his arrogance and hot-temperdness. So it would not have been out of place if he had done all, refused point blank and gone ahead. Then, the African World view woukld have been given a chance,. But was that what Ola Rotimi did? Of course not! In his play, the gods are not to Blame, the African gods were sleeping, they were never arouised because there was no reason for them to. it was a play that negated their style. In essence, it cramped their style and insulted them because, not only were they left behind, other gods (the Greek gods) were brought into the play. How then can you say that “The gods are to Blame” or “The gods are not to Blame.” For some, the gods are to blame for pronouncing a curse without seeking for a solution. For others, the gods are not to blame because there was a solution which was taking the child’s life. For others, man is to blame because, he did not heed to simple instructions. Rather, he saved the child’s life. Hold a second. Why blame any? Why blame the Gods (African gods) that were not even there at all? Why blame the Greek gods that were operating on foreign grounds alien to their culture? Why blame man, when he was only used as an agent to create the plot? The truth is that, man is not to blame… the gods are not to blame… but rather, the god is to blame, and that god is Ola Rotimi. For in the crafting of a play, the playwright is a god who creates the story and characters, gives life to it, etcetera. He is that person that has the onus to determine what happens in the play. Hence Ola Rotimi has failed as a god! This does not suggest that Ola Rotimi is a bad writer. No! Not at all. He only ignored an important aspect that ought not to be ignored and there lay his failure.